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¡ÓRALE! The Kings & Queens of Cool
Lowbrow Insurgence: The Rise of Post-Pop Art
September 20, 2014 – January 25, 2015
The Harwood Museum of Art, Taos, New Mexico
La Luz de Jesus Gallery has teamed with the Harwood Museum of Art to produce multiple portions of ¡Orale! Kings and Queens of Cool, a four-part exhibition focusing on the Post-Pop or Lowbrow art movement that grew out of West Coast surfer, street and car cultures. On view in the Harwood Museum of Art‘s Mandelman-Ribak Gallery, Lowbrow Insurgence: The Rise of Post-Pop Art will bring together the work of internationally recognized artists including Robert Williams, Mark Ryden, and R. Crumb.
Concentrating on painting and sculpture, ¡ORALE! Kings and Queens of Cool is comprised of four unique exhibitions addressing several basic themes: Post-Pop, pinstriping, tattoo, graffiti, and a small sampling of original rock poster art. Over 150 works by approximately seventy artists will demonstrate the transformation and integration of what once was considered “low” art into “high art.” Indeed, this exhibition seeks to refute the previous terminology of “lowbrow” and introduce what is common to a younger generation as “Post-Pop.”
Three major museum exhibitions have previously explored this topic: High and Low: Modern Art and Popular Culture, October 7, 1990 – January 15, 1991, curated by Kirk Varnedoe, Director, Department of Painting and Sculpture, The Museum of Modern Art and Adam Gopnik, Art Critic, The New Yorker. The exhibition then traveled to The Art Institute of Chicago and the Museum of Contemporary Art, Los Angeles. Soon afterwards (1992) Paul Schimmel curated Helter Skelter: L.A. Art in the 1990s at the Los Angeles Museum of Contemporary Art and, in 1998, Pop Surrealism at The Aldrich Contemporary Art Museum.
Lowbrow Insurgence: The Rise of Post-Pop Art is primarily composed of pieces that debuted over the years at La Luz de Jesus Gallery. Many of the exhibited paintings are on loan from the personal collections of owner, Billy Shire, and director, Matt Kennedy, and include works that have become synonymous with their respective creators. This ground-breaking collection shows that virtually every new form of creative endeavor is, in its nascence, an intolerable offense to the cognoscenti, but over time, effrontery yields to acceptance. A catalog has been printed to commemorate this collection providing museums, art departments and historians of the future a reference to understand late 20th and early 21st- century politics, society and aesthetics.
- Carrie Ann Baade – Queen Bitch
- Ana Bagayan – Butcher Boy
- Shawn Barber – Portrait of Billy Shire
- Glenn Barr- Icon of the Apocalypse
- Gary Baseman – Three’s a Charm
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Ned Baughman (d. 2005) – Mi Vida Loca
Acrylic & ink on paper, 20×20″ in 24×24″ frame $2,800
- Lou Beach – World of Men (A)
- Becca – Firecracker
- Charles Binger (1907-1974) – The Gentlemen (Pulp Cover)
- Tim Biskup – Untitled
- The Clayton Brothers – Come Home
- Joe Coleman – I Am Joe’s Circulatory System
- Coop – Green Martian Girl
- Terri Corbin – Bad Mojo
- Robert Crumb – I Wouldn’t Kick Her Out of Bed
- Alex De Leon (1959-2012) – She Ain’t Gonna Go For That Dead Battery Shit
- Bob Dob – Potato Head
- Don Fritz – Pajama Party
- H.R. Giger (1940-2014) – Motor Landscape
- Mark Gleason – Tigerboy
- Max Grundy – Super Sentinel
- Howard Hallis – The Picture of Everything
- Michael Hussar – White Devil
- Frank Kozik – Lil Alex
- Dennis Larkins – The Mysterious Hand
- Dennis Larkins – Sink Jesus
- Laurie Lipton – Motoring
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Danni Shinya Luo – Pine
Watercolor, ink, acrylic glazing on 300lb cold press paper, 18×31.5″ (plus frame) $2,250 Sold
- Hudson Marquez – Grand Dragon / Inside the Peckerwood Mind IV
- Chris Mars – From Puppet Slumber
- Aaron Marshall – Fossil Fuel
- Mark Mothersbaugh – Untitled Six-String Masterpiece
- Neon Park (1940-1993) – That Old Black Magic
- José Rodolfo Loiaza Ontiveros – Lie to Me (Again)
- Nathan Ota – Unforeseen Homecoming
- The Pizz – Up the Ol Dirt Road to Unca Bob’s Hideaway
- Rob Reger – Strange Bast
- Mark Ryden – Untitled Six-String Masterpiece
- Isabel Samaras – The Birth of Ginger oil on wood, 27.5×23.5″ (in 28×32″ frame), $6000
- Shag – Carne de Amore Acrylic on panel, 19×22″ $10,000
- Owen Smith – Combatant oil on panel, 30×24″ in 36×30″ frame
- Joe Sorren – While the Truckson the Highway All Howl
- Jeff Soto – Twelve Armed Octopus
- Mark Todd – Galore
- Christopher Ulrich – Evolution (study)
- Bill Ward – My Outfit Has Been Put on Alert and We May Have to Leave Suddenly
- Mel Weiner – Victor Mature
- Robert Williams – Carne de Amore
- Robert Williams – Hey Pal, Nothin’ Is Free!
- Robert Williams – Masher’s Lament
- S. Clay Wilson – Checkered Demon Up to His Elbow in Muff
- Martin Wittfooth – Down House
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Basil Wolverton (1909-1978) – Welcome at the Totem Pole
ink on bristol, 11.5×14″ SOLD
- Christine Wu – Tuberose
- XNO – Vampira
While most pieces are not for sale, some are available for purchase. Click on the images for expanded view and info. Delivery will need to wait until the exhibition has ended and the artworks are returned–with added provenance.
Contact the Harwood Museum for exhibition visiting hours and other event info:
http://www.harwoodmuseum.org/exhibitions/view/143
Contact Gallery Director Matthew Gardocki for purchase info:
info@laluzdejesus.com (323)666-7667