Caitlin McCormack, Katherine Brannock, Gea*, Genie Mélisande
June 3 – 26, 2016
Artist reception: Friday, June 3rd; 8-11PM
Caitlin McCormack Lostwithall
Lostwithall is a place inhabited by the remains of familiar, yet foreign, beasts; a tenebrous forest permeated by notions of faded nostalgia and unaccountable loss, where memory’s authenticity is overtaken by the incessant buckling of time. Creatures gnarled by the woods’ amnesia wither and decay, their skeletal forms disintegrating into delicate fibers, which tenaciously venture to reform themselves as impressions of commonplace objects. The works in this series are attempts to bind the loose ends of obscure recollections, which have nearly dissolved in the wake of memory’s transmutation. Each piece embodies the remaining husk of a single experience, like a piece of string tied around one’s finger for remembrance – a symbol of identity, worn as one is engulfed by the forest’s aphotic oblivion.
-
-
Caitlin McCormack – World Before the World I.
Crocheted cotton string, glue, steel pins, velvet. 14.75″ tondo x 3″ D. $-unavailable
-
-
Caitlin McCormack – Calva I & II.
Crocheted cotton string, glue, steel pins, velvet, wood. Each: 4″ tondo x 1.5″ D. $-unavailable
-
-
Caitlin McCormack – Calva III & IV.
Crocheted cotton string, glue, steel pins, velvet, wood. Each: 4″ tondo x 1.5″ D. $-unavailable
-
-
Caitlin McCormack – Calva V & VI.
Crocheted cotton string, glue, steel pins, velvet, wood. Each: 4″ tondo x 1.5″ D. $-unavailable
-
-
Caitlin McCormack – World Before the World II.
Crocheted cotton string, glue, steel pins, velvet. 14.75″ tondo x 3″ D. $-unavailable
-
-
Caitlin McCormack – Auger I.
Crocheted cotton string, glue, steel pins, velvet. 16.75×16.75×1.75 $-unavailable
-
-
Caitlin McCormack – Auger II.
Crocheted cotton string, glue, steel pins, velvet. 16.75×16.75×1.75 $-unavailable
-
-
Caitlin McCormack – Gallowsmire.
Crocheted cotton string, glue, steel pins, velvet. 29x29x1.75″ $-unavailable
-
-
Caitlin McCormack – Assecula.
Crocheted cotton string, glue, antique remnant. 9.75″ tondo x 12″H in dome. $-unavailable
-
-
Caitlin McCormack – Ghost I.
Crocheted cotton string, glue, wire. 3″ tondo x 5″ H in glass dome $150 Sold
-
-
Caitlin McCormack – Ghost II.
Crocheted cotton string, glue, wire. 3″ tondo x 5″ H in glass dome $150 Sold
-
-
Caitlin McCormack – Welt II.
Crocheted cotton string, glue, wire. 5″ tondo x 8″ H in glass dome $-unavailable
-
-
Caitlin McCormack – Welt I.
Crocheted cotton string, glue, wire. 5″ tondo x 8″ H in glass dome $800 Sold
-
-
Caitlin McCormack – Et Erit.
Crocheted cotton string, glue, steel pins, velvet. 9.25×11.25×1.25″ $650 Sold
-
-
Caitlin McCormack – Non Sunt.
Crocheted cotton string, glue, steel pins, velvet. 9.25×11.25×1.25″ $-unavailable
-
-
Caitlin McCormack -Spirit Ditch.
Crocheted cotton string, glue, steel pins, velvet. 20×11.5×1.25″ $650 Sold
-
-
Caitlin McCormack – Snare I.
Crocheted cotton string, glue, steel pins, velvet, antique remnant. 8.25×6.25×1.25″ $300 Sold
-
-
Caitlin McCormack – Snare II.
Crocheted cotton string, glue, steel pins, velvet, antique remnant. 8.25×6.25×1.25″ $-unavailable
-
-
Caitlin McCormack – Kindertide.
Crocheted cotton string, glue, steel pins, velvet. 36x24x3.5″ $-unavailable
-
-
Caitlin McCormack – Vow II.
Crocheted cotton string, glue, steel pins, velvet. 25x19x3″ $-unavailable
Katherine Brannock CHRYSOPOEIA
Cyclical patterns in nature maintain a captivating allure for the artist Katherine Brannock. Everything from water bodies aligning with the lunar cycle, to seasons predictably sculpting our environmental landscape, has captured her unwavering fascination and curiosity. However, this innate attraction to quantifiable changes in the physical world, finds an amusing digression when aligned with Katherine’s transcendent, philosophical roots stemming from childhood.
In an effort to validate the physical feelings rooted in our cycles of emotional evolution, Katherine has elected to explore the concept of Chrysopoeia in order to metaphorically articulate her observance of this, oftentimes, neglected inner experience.
Chrysopoeia was originally an Alchemical process defined as the act of transmuting a base metal into gold; but according to a more philosophical approach, Chrysopoeia could be denoted as the act of transforming the base qualities of our psychological nature into more enlightened functions. By adopting this Alchemical credo, Katherine intends to explore the birth and death of the Ego as one might examine the rise and fall of the tide.
Born and raised San Diego, California, Katherine attended Catholic School from Kindergarten on up to her graduating year of High School. This dogmatic, parish setting imbedded the language of old world religion within her psyche, while sparking an attraction to alternative forms of spiritual mysticism. The further Katherine explored the conceptual depths of otherworldly reality, the stronger her obsession grew to comprehend the degree to which these seemingly intangible influences shaped our psychological perceptions of the Ego.
-
-
Katherine Brannock – Breach.
Acrylic, Oil Paint and Bronze Ink
In a Stained, Varnished Pine Wood Frame, 8×10″, $350
-
-
Katherine Brannock – Core.
Acrylic, Oil Paint and Bronze Ink
In a Stained, Varnished Pine Wood Frame, 8×10″, $350 Sold
-
-
Katherine Brannock – Extant.
Acrylic, Oil Paint and Bronze Ink
In a Stained, Varnished Pine Wood Frame, 8×10″, $350
-
-
Katherine Brannock – Forge.
Acrylic, Oil Paint and Bronze Ink
In a Stained, Varnished Pine Wood Frame, 8×10″, $350
-
-
Katherine Brannock – Haunt.
Acrylic, Oil Paint and Bronze Ink
In a Stained, Varnished Pine Wood Frame, 8×10″, $350
-
-
Katherine Brannock – Molten.
Acrylic, Oil Paint and Bronze Ink
In a Stained, Varnished Pine Wood Frame, 8×10″, $350
-
-
Katherine Brannock – Prompt.
Acrylic, Oil Paint and Bronze Ink
In a Stained, Varnished Pine Wood Frame, 8×10″, $350
-
-
Katherine Brannock – Sublimate.
Acrylic, Oil Paint and Bronze Ink
In a Stained, Varnished Pine Wood Frame, 8×10″, $350
-
-
Katherine Brannock – Echo.
Acrylic, Oil Paint and Bronze Ink
In a Stained, Varnished Pine Wood Frame, 8×10″, $350
-
-
Katherine Brannock – Forbearance.
Acrylic, Oil Paint and Bronze Ink
In a Stained, Varnished Pine Wood Frame, 8×10″, $350 Sold
-
-
Katherine Brannock – Fortune.
Acrylic, Oil Paint and Bronze Ink
In a Stained, Varnished Pine Wood Frame, 8×10″, $350
-
-
Katherine Brannock – Foundling.
Acrylic, Oil Paint and Bronze Ink
In a Stained, Varnished Pine Wood Frame, 8×10″, $350
-
-
Katherine Brannock – Mirage.
Acrylic, Oil Paint and Bronze Ink
In a Stained, Varnished Pine Wood Frame, 8×10″, $350 Sold
-
-
Katherine Brannock – Mount.
Acrylic, Oil Paint and Bronze Ink
In a Stained, Varnished Pine Wood Frame, 8×10″, $350
-
-
Katherine Brannock – Notion.
Acrylic, Oil Paint and Bronze Ink
In a Stained, Varnished Pine Wood Frame, 8×10″, $350
-
-
Katherine Brannock – Philo.
Acrylic, Oil Paint and Bronze Ink
In a Stained, Varnished Pine Wood Frame, 8×10″, $350
-
-
Katherine Brannock – Ritual.
Acrylic, Oil Paint and Bronze Ink
In a Stained, Varnished Pine Wood Frame, 8×10″, $350 Sold
-
-
Katherine Brannock – Swarm.
Acrylic, Oil Paint and Bronze Ink
In a Stained, Varnished Pine Wood Frame, 8×10″, $350
-
-
Katherine Brannock – Rapture.
Acrylic, Oil Paint and Bronze Ink
In a Stained, Varnished Pine Wood Frame, 18×24″, $1250
-
-
Katherine Brannock – Temper.
Acrylic, Oil Paint and Bronze Ink
In a Stained, Varnished Pine Wood Frame, 18×24″, $1250
Gea* Penetralia
gea* sometimes focuses on disturbing and explicit subject matter, while she can juxtapose sweetness and repulsion, sometimes wrapped in a dream like surrealism as she illustrates and explores the nether regions of our collective psyche. She is equally adept in expressing herself with an assured line in ink and exercising shocking and vibrant approaches to color theory, both in drawing and in digital media.
Her works have been published in limited edition art books by international publishers such as Timeless, Le Dernier Cri and Re:Surgo!; one of the Re:Surgo titles she in which she is featured is now part of the NY Museum of Modern Art’s permanent collection. She has directed music videos for Momus and Jeffrey Butzer, which have been viewed widely and received acclaim from the late great movie critic Roger Ebert and film director Guy Maddin.
gea* is a Chilean-born multidisciplinary artist based in New York. Her unique work encompasses drawing, painting, illustration, digital arts and media, photography, film and animation. An autodidact, she has exhibited solo and in group shows in New York, Los Angeles, Santiago, Zurich, and Toronto.
-
-
gea* – the tiny men.
Color pencil on paper, 8×11″, $300 Sold
-
-
gea* – to be, or not to be.
Color pencil on toned gray paper, 11×14″, $500
-
-
gea* – enferma enfermera.
Color pencil on toned gray paper, 11×14″, $480
-
-
gea* – not easy being green.
Color pencil on paper, 8×9″, $180 Sold
-
-
gea* – what do you think of that one?
Color pencil on paper, 8×11.5″, $360 Sold
-
-
gea* – candle.
Color pencil on paper, 8×11″, $360
-
-
gea* – nice hat.
Color pencil on toned paper, 6.5×10″, $250 Sold
-
-
gea* – picnic in eden.
Color pencil on paper, 8×11.5″, $500 Sold
-
-
gea* – invaders.
Color pencil on paper, 8×11″, $300
-
-
gea* – head stand.
Color pencil on paper, 8×11.5″, $360 Sold
-
-
gea* – give ’em what they want.
Color pencil on toned gray paper, 11×14″, $500 Sold
-
-
gea* – if you only knew what I was thinking.
Color pencil on paper, 8×11.5″, $360 Sold
-
-
gea* – house gets half.
Color pencil on toned gray paper, 11×14″, $500 Sold
-
-
gea* – grande ilusión.
Color pencil on toned gray paper, 11×14″, $500
-
-
gea* – crime scene.
Color pencil on toned gray paper, 11×11″, $500 Sold
Genie Mélisande Catalyst
Catalyst is an exploration of evolution in both humanity and on an individual scale. This theme continues in the vein of the Tree of Life mythology that is fundamental to cultures worldwide, and maps the evolution of cosmic energy to solid matter and the ascension of living beings to a higher plane of consciousness. In harmonizing scientific theories with the spiritual realm, this archetypal journey leads us to a crossroads and urgent questions about our next phase. The new frontier that Terry Pratchett called “the place where the falling angel meets the rising ape”.
Genie Mélisande is a contemporary magic realist painter who was born in Manhattan, studied fine art in England, and is now based in Los Angeles. Throughout a nomadic upbringing that spanned over 20 countries and many different cultures, the one enduring thread has been a need to reach the heart of the human condition through art. She aims to reconcile both visible and metaphysical archetypes in ways that are new yet true, and beautiful yet challenging.
-
-
Genie Melisande – Borrowed Feathers
Oil on canvas, 24×36″, $3,500
-
-
Genie Melisande – Wendigo.
Oil on watercolor paper, 18×24″ in 22×28″ frame, $1,200
-
-
Genie Melisande – Green Language.
Oil on wood panel, 18×24″, $1,000
-
-
Genie Melisande – Neophyte.
Oil, goldleaf on wood panel, 16×20″, $1,000
-
-
Genie Melisande – Ouroboros I.
Oil, acrylic, and gold leaf on watercolor paper, 12×16″ in 18×24″ frame, $1,000
-
-
Genie Melisande – Kairos.
Oil on watercolor paper, 11×14″ in 18×24″ frame $1,000
-
-
Genie Melisande – Hourglass.
Oil on watercolor paper
12×16″ in 18×24″ frame $800
-
-
Genie Melisande – Ouroboros II.
Oil, acrylic, and gold leaf on watercolor paper, 12×16″ in 18×24″ frame, $1,000
-
-
Genie Melisande – Baptism.
Oil on wood panel, 16×20″, $800
-
-
Genie Melisande – Spectre At The Feast.
Oil on canvas, 16×20″ $1,000
-
-
Genie Melisande – Ophelia Premonition.
Oil on canvas, 18×24″ $1,000
-
-
Genie Melisande – Unintended.
Oil, gold leaf on wood panel, 16×20″ $1,000
-
-
Genie Melisande – Midnight Sun.
Oil on wood panel, 16×20″ $800
-
-
Genie Melisande – Satori.
Oil on wood panel, 16×20″ $1,000
Contact Gallery Director Matthew Gardocki for purchase info:
info@laluzdejesus.com (323)666-7667